San is a middle-aged man who is the head of his own family. He has to look after his sick wife and still-growing children in the middle of an economic downturn. His Shabu business is not doing so well, practically, no customers at all. The sickness of his wife is getting worse and worse every day and the hospital cost is getting out of hands. He tries every way to get his family through the situation at the expense of his own life.

A mentally-ill psychiatrist, refusing to take her medications while on leave for the death of her daughter, returns to work with her police detective ex-husband on a serial-torturer case.

Centers on Cece, a single mother battling poverty and eviction while raising a sick son. Her brother Dante, fresh from prison, returns, mirroring Cece's struggles.

After a failed suicide attempt, Dawn (Jodie Jameson) is sent by her psychiatrist on a trip to recuperate. She visits an old family flat in a remote apartment by the sea. Heavily sedated with medication and alcohol, she tries to decode her life through the pages of a journal. Walking on a deserted Norfolk beach she finds a dying mutant mermaid foetus. Initially repulsed, she becomes obsessed with it, takes it home and tries to resuscitate it. Dawn’s Swedish friend Milla visits at the weekend. While out drinking with Dawn, she catches a man at an unguarded moment and they end up in bed. In the cellar, the creature can sense the vibrations from the bedroom. Feeding off the sexual energy coursing through the flat, the creature strengthens and grows. After Milla leaves, Dawn checks on the creature in the cellar; it’s covered in a thin slime. Drawn to the smell, she tastes it and finds that it has hallucinogenic effects. Dawn’s life is about to get even stranger.

In a vague and futuristic world, people must pay for every single service in their life. When a stripper and a thief meet, they find a meaning within it.

Son lives with his father in an old flat with an endless number of rooms and corridors. The grandfather died, but his corpse lies on the sofa in the living room. Guests come to the apartment sometimes for whom the father prepares in different ways and sets the boy up to the same attitude towards the guests. Every day, the father leaves no one knows where, and the boy remains alone and wanders through the corridors of the flat. On one of these walks, a boy hears subdued screams - they come from a room with an iron door. When he tries to see what's happening there through the peephole, his father appears. Son tries to escape but then faces another terror along the way. The boy seeks to find a way out, but his father suppresses all attempts. "Eternal" is an author film about the problems of a big state transferred to a small, strange family. By design, the film is a reasonably pessimistic metaphor for modern Russia.

A widow grieves for her husband. Her sister tries to console her. Too little, too late. Truths are revealed, love is suffering, but at least family is forever ...

Peter Greenaway presents this "Commentary in one hundred parts" on Drowning by Numbers (1987), discussing and analyzing many of the film's more intriguing features.

A woman must uncover the truth behind her sister’s mysterious disappearance before the culprit targets her.

A man reunites with a mysterious woman who has dangerous ties to a boating accident that tore his family apart 17 years ago.